I have a problem with dimensions, with how the actual size of an object never matches up to its image in my mind’s eye. My most recent example of this kind of failure is the safe that’s taking up far too much room in my garage.
J.A. Michell Engineering is one of England’s most respected turntable manufacturers. Thankfully, Michell has remained a family-owned concern that doesn’t need to answer to overseas conglomerates, venture capitalists, or outside investors. The managing director, Jonathan Nye, is married to the granddaughter of founder John Michell. Recently, the company has rebranded and released a swathe of new products, including the all-new Gyro and Revolv turntables, plus the exquisite Apollo phono preamplifier I reviewed for this site in January.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click here.
The German audio manufacturer Burmester Audiosysteme writes that their guiding philosophy is “perfection and perpetuity in sound and design.” That means they want to get things right, and they want to ensure their products do not wear out or become obsolete. As a result, they take their time developing new products, and then they keep them in production for a very long time.
As I stated in my recent editorial, I’ve been on a bit of a tangent toward the value side of the audio world over the past few months. It wasn’t a conscious decision on my part to start looking for more reasonably priced components. That wouldn’t be fair to the good folks over at SoundStage! Access and SoundStage! Hi‑Fi. And besides, it’s not my beat. Here at Ultra, people want to read about huge, dripping, wretched excess, right? That said, I don’t think it’s a good look to only have experience with expensive gear. It’s a requirement, in my mind, to have a grounding in what’s possible with a limited budget, so that you can recognize when you’re getting flimflammed by hucksters selling screamingly pricey gear that doesn’t stand up to scrutiny.
It is with humility that I tell you I have become enamored with a budget component. I know, that sounds rather pretentious, like I’m some kind of lord going on about associating with the plebs. But consider this: I’ve spent the last five years writing for SoundStage! Ultra, and other than a few outliers, I’ve only reviewed extremely expensive components during that time.
The Townshend Audio Allegri Reference is certainly the most unusual preamplifier I have ever reviewed. It may surprise you to know that Max Townshend considered the Allegri to be his greatest achievement, rather than his legendary Rock turntable or pioneering work on acoustic isolation.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click here.
It was sometime around 2004. I’d been flailing around trying to find an appropriate replacement for my aging EAR Yoshino 509 mono tube amplifiers. The EARs had become unreliable to the point where I could no longer trust them in my reference system. Looking for reliability and neutrality, I purchased a Musical Fidelity A300cr amp, and that worked well for a year or so, but I was missing something. After reviewing the Anthem P2 Statement one year later, I ended up buying the review sample, hoping that I’d find peace with this large, powerful solid-state amplifier.
This story has its origins at High End 2023 in Munich, Germany. That was my introduction to the galactic scale of the world’s largest audio show. For the first day, I was completely combat-ineffective, a country mouse experiencing the big city for the first time, so it was fortuitous that I stumbled into the room shared by Engström, Marten, and Jorma. As you can tell by my review of that room, I was captivated by these elegant tube amps and stunning speakers, and by the cables that tied everything together.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click here.
J.A. Michell Engineering Ltd. is one of the longest-established family-owned audio firms in the UK. Their GyroDec turntable, which I have used as my reference for 26 years, is a bona-fide cult classic and one of the very few bargains in high-end audio. You can buy one new with a standard tonearm and cartridge for under £5000. Even in its most basic form, it’s a serious vinyl spinner, but the real benefit of the GyroDec is its ability to take advantage of more potent ancillaries. Mine is fitted with an SME Series IV tonearm and a Lyra Kleos SL cartridge. The current price of my rig is north of £12,000, but it has outclassed some exotic turntables costing up to £25,000.
I don’t think there’s much need for a preamble. This is the second half of my ten-best LPs, the completion of a list I started in my For the Record column in October. As you may have surmised, there’s no ranking here. I’ve refrained from numbering my choices. Rush’s A Farewell to Kings went last simply because I know Rush is polarizing, not because it’s the best or the worst record in this list.
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